ZoomOnArt Program

The Rutgers–Camden Department of Visual, Media, and Performing Arts becomes a central hub for interactive, online conversations with nationally and internationally renowned artists during its “ZoomOnArt” program. Artists who are luminaries in their fields Zoom in from other parts of the country and globe. They share with us images or video shorts of their work and answer questions, and the audience gets an opportunity to direct the discussion.

All lectures are scheduled during the Free Periods on Zoom between 11:30 am and 12:20 pm.

Fall 2025 ZoomOnART

This Fall Semester at Rutgers Camden, we have embraced the topic of Object-Oriented Ontologies: what can we learn from the “objects” in our present moment?

All talks and/or workshops occur in FA 103/FA 105 Sculpture studios. Bring your lunch and prepare to be impressed! Contact Prof. Demaray at demaray@rutgers.edu for more info

September 15 – Raul Romero

Raúl Romero is an artist whose practice explores the intercommunication between people and the environment. Drawing from technological histories, communication tools, ancient artifacts, sound production tools, instruments, and his Puerto Rican ancestry, Romero examines how sound acts as a bridge connecting the past, present, and future. His work investigates themes of material language, recollection, the exploitation of colonialism, and environmental impact, presenting sound as a dynamic force that can be heard, seen, and physically felt through vibration. 

Romero holds an MFA in Sculpture from the Yale University School of Art and is a member of the Vox Populi Gallery artist collective. He is a current PEW Fellow. His work has been exhibited at institutions including The Fabric Workshop and Museum, Studio 105 at Ray and Taller Puertorriqueño in Philadelphia, Locust Projects in Miami, The Kitchen in New York, the Denver Contemporary Art Museum, Transformer Gallery in Washington D.C., The Delaware Contemporary, as well as in Florida at The Contemporary Art Museum, The Museum of Science and Industry, and the Tampa Museum of Art. For more information, please check out https://www.raulromero.com/

October 15 – Tatiana Parcero

Tatiana Parcero was born in Mexico and received a Master’s of Art in Photography and Art Theory from New York University/ International Center of Photography and a Bachelor’s of Science in Psychology from the Universidad Nacional Autónoma de Mexico.  Parcero has exhibited nationally and internationally in venues such as the Museum of Modern Art, New York, the Museum of Latin American Art in Long Beach, California, Museo Archivo de la Fotografia, Mexico City, and Festival Terre d’Images in Biarritz, France. Her work is widely collected by photography enthusiasts and distinguished museums and universities alike. Parcero is a photo-based artist whose imagery continuously delineates themes of ritual, religion, and the intricate traditions of various cultures. In her most recent body of work, Universus, Parcero poetically depicts these themes with imagery that is superimposed on to the image of her own body, communicating ideas relating to identity, memory, territory and time. She currently lives and works in Buenos Aires, Argentina.
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October 27 – Stass Shpanin

Stass Shpanin is a visual artist whose work is focused on interpretations and fabrications of the past. Shpanin holds a BFA from the Hartford Art School and an MFA in painting from the Tyler School of Art. In 2012, he received a Fulbright Fellowship to Russia. Shpanin’s artworks have been shown nationally and internationally, at the Smack Mellon Gallery in New York, the Gridchinhall Gallery in Moscow, the ToBE Gallery in Bern, Switzerland, the Temple Contemporary in Philadelphia, and the Phillips Museum of Art in Lancaster, PA. Shpanin is an Associate Teaching Professor of Art at Rutgers University–Camden, NJ. For more information, please check out https://www.shpanin.com/
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November 3 – Christina Freeman

Christina Freeman (she/her) is an artist, curator, and professor. Her participatory piece UltraViolet Archive (2018-2025) had its debut at Queens Museum in Queens International 2018: Volumes, receiving mentions in both Artforum and Vulture. Subsequent iterations were featured at the Creative Time Summit X (2019), on Governors Island (2022), at NARS Foundation (2024) and The Clemente (2025). This work will travel to Wheaton College for a Fall 2025 exhibition at the Weil Gallery. Freeman presented her installation, Pleasures and Terrors of Pollination in Bronx Calling: The Sixth AIM Biennial at The Bronx Museum of the Arts (2024). Her workshop, Climate Resilient Edible Garden instructed participants on preparing their gardens for heat stress.
Freeman teaches for the Department of Art & Art History and for the Film & Media Department at Hunter College, CUNY. She also serves as the Bernstein Gallery Curator at Princeton SPIA, Princeton University and Visiting Lecturer at Cornell University. or more information, please check out https://christinafreeman.net/

December 1 – Jenny Jaramillo

Jenny is a visual artist who work in object making and performance. She studied at the Faculty of Arts of the Central University of Ecuador, and in the Master’s program in Visual Anthropology at FLACSO, Quito. She has been an artist in residence at the Rijsksakademie Van Beeldende Kunsten, Amsterdam; at the Institute for Electronic Arts (IEA), Alfred University, NY; at the RAIN PROJECT International Program “Open Circle”, Mumbai, India; at the Irish Museum of Modern Art, Dublin; and at the “Fine Arts Work Center” program in Provincetown, USA. With her artistic production in performance, video performance, and installation, she has represented Ecuador and participated in important projects and exhibitions: “Women artists at MuNa. Ways of making and being visible”, National Museum of Ecuador, 2021; “XIV Cuenca Biennial: Living Structures. Art as a plural experience”, 2018; “Endless Mountains and Rivers”, Ecuador-Canada, 2015-16; Politics of Difference, Ibero-American Art at the End of the Century, 2002; Transitory Public/Political Equator, University of California, Los Angeles (UCLA), 2007; VII Cuenca International Biennial, 2004; VI Havana Biennial, 1997.

Past zoomOnArt Lecturers:

Spring 2025 ZoomOnART

February 12 – Sue Huang

February 26 – Ellie Irons

April 2 – Jemila MacEwan

Fall 2024 ZoomOnVMPA schedule

September 23 – Joyce Yu-Jean Lee
October 21 – Christian Breed
November 18 – Emily Schleiner

spring 2024 ZoomOnVMPA schedule

February 14 – Alice Smits

March 6 – Catherine Chalmers

Spring 2023 ZoomOnVMPA schedule

February  22 – Carlos Castellanos

March 1 – Aviva Rahmani

March 22 – Patricia Olynyk 

April 19 – Orkan Telhan  

fall 2022 ZoomOnVMPA schedule

September 21 – Cyril Read 

September 28 – Jonah Taylor

October 5 – Anjelic Owens

October 12 – Elizabeth Pilliod  

October 26 –  Adam Harr Horowitz

November 2 – Stass Shpanin

November 9 – Mary Mattingly

November 30 – Jack Forman

December 4 – Kathleen McDermott CANCELLED

Spring 2019 SkypeOnArt schedule:

Aroussiak Gabrielian and Alison B. Hirsch
Monday, February 4th

Aroussiak Gabrielian Is an architectural and landscape architectural designer with a background in visual arts. She holds an MLA and an M.Arch from the University of Pennsylvania and is currently pursuing her Ph.D in Media Arts + Practice at University of Southern California’s School Cinematic Arts where she is an Annenberg Fellow. Aroussiak deploys design methodologies that use future scenarios as tools to better understand the present and that use design as a means of speculation.

Alison B. Hirsch is a landscape architectural designer, as well as urban historian and theorist. Currently an Assistant Professor of Landscape Architecture + Urbanism at the University of Southern California’s School of Architecture, Alison holds a Ph.D. in Architecture, an MLA and an M.S. in Historic Preservation from the University of Pennsylvania. Alison’s design interests focus on public histories and politics of urban settlement, as well as how corporeality and human movement can inform the design process.

 

Eve Andree Laramee
Monday, March 4th  

Eve Andree Laramee is an installation artist whose works explores four primary themes: legacy of the atomic age, history of science, environment and ecology, social conditions. Her interdisciplinary artworks operate at the confluence of art and science. She is currently Professor and Chair of the Department of Art and Art History at Pace University. Laramee currently lives in Brooklyn, NY, and Santa Fe, NM.  She is also the founder and director of ART/MEDIA for a Nuclear Free Future.

 

Paul Vanouse
Monday, March 11th 

Paul Vanouse is an artist working in Emerging Media forms. His artworks have included data collection devices that examine the ramifications of polling and categorization, genetic experiments that undermine scientific constructions of race and identity, and temporary organizations that playfully critique institutionalization and corporatization. These “Operational Fictions” are hybrid entities–simultaneously real things and fanciful representations–intended to resonate in the equally hyper-real context of the contemporary electronic landscape.

 

Hannah Rogers
Monday, April 8th  

Hannah Star Rogers is a curator, scholar, and poet. She received her MFA in poetry from Columbia University and Ph.D. at Cornell University on the intersection of art and science. She curated Making Science Visible: The Photography of Berenice Abbott, which received an exhibits prize from the British Society for the History of Science and resulted in an invited lecture at the Smithsonian Archives of American Art. She is past Director of Research and Collaboration for Emerge: Artists and Scientists Redesign the Future 2016 and served as Guest Bioart Curator for 2017.

Fall 2018 

 

Yuri Suzuki

Yuri Suzuki is a sound artist, designer and electronic musician who explores the realms of sound through exquisitely designed pieces. His work looks into the relationship between sound and people, and how music and sound effect their minds. His sound, art and installations have been exhibited all over the world.

Mattia Casalegno

Mattia Casalegno is an Italian interdisciplinary artist, live-media performer and installation artist working in a broad range of media. His multidisciplinary work is influenced by both post-conceptualism and digital art, and has been defined relational, immersive, and participatory. His practice explores the effects new media have on our societies, investigating the relationships between technology, the objects we create, our subjectivities, and the modes in which these relations unfold into each other.

Jane Philbrick

Jane Philbrick’s large-scale installations and sculpture range in media from ultrasound and rammed earth to magnetic levitation and found space. She works in collaboration across disciplines in science and engineering, architecture, music, and performance.

Pinar Yoldas

Pinar Yoldas is an infradisciplinary designer/artist/researcher currently based in Ann Arbor, Michigan. Her work develops within biological sciences and digital technologies through architectural installations, kinetic sculpture, sound, video and drawing with a focus on post-humanism, eco-nihilism, anthropocene and feminist technoscience.

 


Joyce Kozloff

Joyce Kozloff has been an artist and activist for decades, from her involvement with the 1970s feminist collective Heresies to her more recent commitment to We Make America, a group of artists creating Statue of Liberty-inspired props and signage for numerous protests against Trump. In her latest exhibition, Girlhood, at D.C. Moore Gallery,  Kozloff juxtaposes her adult obsession with antiquated cartography with her own childhood drawings for social studies projects,  revealing the limits of  our ability to comprehend “new worlds,”  both historically and personally.

Natalie Bookchin

Natalie Bookchin is an artist and filmmaker who, through virtuosic editing and innovative sonic and visual montage, interrogates the American crisis and its increased inequality and polarization as well as the seismic impact of the digital tools and platforms that determine the shape and texture of contemporary life. Her critically acclaimed films and installations have shown around the world at museums, galleries, theaters, and festivals, including at MoMA, LACMA, PS1, Mass MOCA, the Walker Art Center, the Pompidou Centre, MOCA LA, the Whitney Museum, the Tate, and Creative Time. She has received numerous grants and awards, including from Creative Capital, California Arts Council, the Guggenheim Foundation, among others.

Dr. Eban Goodstein

Dr. Goodstein is the author of three books: Economics and the Environment, (John Wiley and Sons: 2017) now in its eighth edition; Fighting for Love in the Century of Extinction: How Passion and Politics Can Stop Global Warming (University Press of New England: 2007); and The Trade-off Myth: Fact and Fiction about Jobs and the Environment. (Island Press: 1999). His research has been featured in The New York Times, Scientific American, The Economist, and USA Today. In recent years, Goodstein has coordinated climate education events at over 2500 colleges, universities, high schools and other institutions across the country He serves on the editorial board of Sustainability: The Journal of Record, and is on the Steering Committee of Economics for Equity & the Environment.

Nina Katchadourian

Nina Katchadourian is an interdisciplinary artist whose work includes video, performance, sound, sculpture, photography and public projects. Her video Accent Elimination was included at the 2015 Venice Biennale in the Armenian pavilion, which won the Golden Lion for Best National Participation. She lives and works in Brooklyn, and is an associate professor on the faculty of NYU Gallatin. She is represented by Catharine Clark gallery.

Carlos Castellanos

Carlos Castellanos is an interdisciplinary artist and researcher with a wide array of interests such as cybernetics, ecology, embodiment, phenomenology, artificial intelligence and art-science collaboration. He holds a Ph.D. from the School of Interactive Arts and Technology (SIAT), Simon Fraser University and an MFA from the CADRE Laboratory for New Media, San Jose State University.